

The Garden Steps Leading to the Artist’s Studio on Blegdammen
1845
While travelling in Italy Købke achieved a much greater degree of painterly freedom in his studies than before, particularly in his painted studies from Capri.
These images have a sketch-like quality not found in other Danish painters. Købke’s new style of painting had a knock-on effect on the studies done near his home on Blegdammen after his return from Italy.
Motif and angle
In the painting of the garden steps he evinces an unheard-of boldness in his choice of motif and angle – and in his cropping of the scene. We barely get an impression of the house; the gnarly tree by the steps is the key element of the painting together with the beautifully observed sunlight hitting the façade and tree, falling in through a window and upon the open door. The painting has no parallel in Danish art of the period.
These images have a sketch-like quality not found in other Danish painters. Købke’s new style of painting had a knock-on effect on the studies done near his home on Blegdammen after his return from Italy.
Motif and angle
In the painting of the garden steps he evinces an unheard-of boldness in his choice of motif and angle – and in his cropping of the scene. We barely get an impression of the house; the gnarly tree by the steps is the key element of the painting together with the beautifully observed sunlight hitting the façade and tree, falling in through a window and upon the open door. The painting has no parallel in Danish art of the period.
- License:
- Courtesy of the National Gallery of Denmark
- For more:
- http://www.smk.dk/en/explore-the-art/highlights/christen-ko…
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