Although Signora Gomez d’Arza did not belong to Eakins’s immediate circle, she inspired one of his most eloquent portraits. An actress of Italian ancestry, she was married to Enrico Gomez d’Arza, the impresario of a small theater that Eakins and his wife visited in the Italian quarter of Philadelphia. Susan Eakins recalled in 1927: “They were very poor, depending on their ...
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