During the summer and fall of 1915, Kazimir Malevich secluded himself to prepare for the groundbreaking exhibition [i]0.10 (Zero-Ten) The Last Futurist Exhibition of Paintings[/i]. Seeking to push the formal discoveries of Cubism and Futurism to their limits, to find the most essential core—the “zero”—of painting, Malevich produced a series of completely abstract works tha...
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