

1992
3
Our English Coasts
1852
In Modern Painters (1847) the writer and critic John Ruskin (1819-1900) exhorted young English artists to "go to Nature in all singleness of heart, and walk with her laboriously and trustingly, having no other thoughts but how best to penetrate her meaning, and remember her instructions; rejecting nothing, selecting nothing, and scorning nothing; believing all things to be right and good, and rejoicing always in the truth."
Following Ruskin's dictum that art in its truthfulness can teach a moral lesson, William Holman Hunt created his greatest and most Pre-Raphaelite landscape. [...]
The location for the picture was the Lover's seat, a well-known beauty spot perched on the cliffs overlooking Covehurst Bay, near Hastings. Hunt has paid scrupulous attention to natural detail, but the cliffs, sheep and parts of the foreground were all painted from different viewpoints, and the butterflies in the left foreground were painted indoors from a live specimen.
Read more ...
Following Ruskin's dictum that art in its truthfulness can teach a moral lesson, William Holman Hunt created his greatest and most Pre-Raphaelite landscape. [...]
The location for the picture was the Lover's seat, a well-known beauty spot perched on the cliffs overlooking Covehurst Bay, near Hastings. Hunt has paid scrupulous attention to natural detail, but the cliffs, sheep and parts of the foreground were all painted from different viewpoints, and the butterflies in the left foreground were painted indoors from a live specimen.
Read more ...
- Size:
- 432 x 584 mm
- Medium:
- Oil on canvas
- License:
- Courtesy of Tate Britain (Creative Commons CC-BY-NC-ND (3.0 Unported))
- For more:
- http://www.tate.org.uk/art/artworks/hunt-our-english-coasts…
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