Ιn 1909 the Viennese art historians Hans and Erica Tietze asked the twenty-three year-old Kokoschka to paint a marriage portrait for their mantelpiece. Mrs. Tietze recalled that she and her husband were painted individually, a fact suggested by their separate poses and gazes.
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Kokoschka used thin layers of color to create the hazy atmosphere surrounding the couple, a...
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