Still-life painter William Michael Harnett excelled at trompe l’oeil, painting that fools the eye, through realistic depiction. In [i]For Sunday’s Dinner[/i], a chicken hangs in front of a painted door with its throat cut and most of its feathers plucked; a few remaining downy spots stand out against the puckered, pimpled flesh. The metal door hinges, on the right side of ...
Discussion