In fall and winter 1889–90, while a voluntary patient at the asylum in Saint-Rémy, Van Gogh painted twenty-one copies after Millet, an artist he greatly admired. He considered his copies "translations" akin to a musician's interpretation of a composer's work. He let the black-and-white images—whether prints, reproductions, or, as here, a photograph that his brother, Theo, ...
This painting beautifully captures a serene garden scene with two figures. The use of light and shadow creates depth, unblocked games while the impressionistic style brings a sense of movement and life. The composition is balanced, and the colors evoke a peaceful, idyllic atmosphere.
Discussion
Comments