Émile Bernard

Émile Henri Bernard (28 April 1868 – 16 April 1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first hand information on the crucial period of modern art to which Bernard had contributed.

Émile Henri Bernard was born in Lille, France in 1868. As in his younger years his sister was sick, Émile was unable to receive much attention from his parents; he therefore stayed with his grandmother, who owned a laundry in Lille, employing more than twenty people. She was one of the greatest supporters of his art. The family moved to Paris in 1878, where Émile attended the Collège Sainte-Barbe.

He began his studies at the École des Arts Décoratifs. In 1884, joined the Atelier Cormon where he experimented with impressionism and pointillism and befriended fellow artists Louis Anquetin and Henri de Toulouse-Lautrec. After being suspended from the École des Beaux-Arts for "showing expressive tendencies in his paintings", he toured Brittany on foot, where he was enamored by the tradition and landscape.

In August 1886, Bernard met Gauguin in Pont-Aven. In this brief meeting, they exchanged little about art, but looked forward to meeting again. Bernard said, looking back on that time, that "my own talent was already fully developed." He believed that his style did play a considerable part in the development of Gauguin's mature style.

Bernard spent September 1887 at the coast, where he painted La Grandmère, a portrait of his grandmother. He continued talking with other painters and started saying good things about Gauguin. Bernard went back to Paris, attended Académie Julian, [2] met with van Gogh, who as we already stated was impressed by his work, found a restaurant to show the work alongside van Gogh, Anquetin, and Toulouse-Lautrec's work at the Avenue Clichy. Van Gogh called the group the School of Petit-Boulevard.

One year later, Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had "a desire to [find] an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…" Gauguin was impressed by Bernard's ability to verbalize his ideas.

1888 was a seminal year in the history of Modern art. From 23 October until 23 December Paul Gauguin and Vincent van Gogh worked together in Arles. Gauguin had brought his new style from Pont-Aven exemplified in Vision after the Sermon: Jacob Wrestling with the Angel, a powerful work of visual symbolism of which he had already sent a sketch to van Gogh in September.

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