“One could dream of a Monet turning toward the use of large canvases, clear and iridescent, the preserve of Veronese, of Tiepolo. Dream no more, and consider his supreme work, the [i]Nymphéas[/i] [Water Lilies]. Despite their monumental dimensions they do not demonstrate the characteristics of Grand Venetian or Flemish decoration. His disposition of spirit appears to me to...
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