Constellation: Toward the Rainbow

In 1919, Joan Miró left his native country of Spain for France, where, along with fellow Spaniard Salvador Dalí, he became one of the pioneers of Surrealism. Inspired by the movement's engagement with psychology and poetic play with form, Miró developed a dreamlike style based on whimsical allusions to reality and lyrical, fancifully colored compositions. In May 1940, after the invading German troops disturbed Miró's quiet life in Varengeville, a village on the northern coast of France, he returned to Spain. In June he settled in the town of Palma de Mallorca, where he was to remain until the summer of 1941. In Palma, Miró resumed work on his Constellations series, which he had abandoned when he left Varengeville. "Toward the Rainbow" is the fifteenth in a series of twenty-three gouaches on paper that were produced over twenty-one months from January 1940 to September 1941. Characteristic of the works begun at the end of his stay in France and those painted in Spain, the entire sheet of paper is covered with hourglass shapes and a multitude of forms suggesting stars, eyes, circles, triangles, and crescents that are linked by thin black lines to evoke a fantastical wrought-iron screen or perhaps a magical constellation in the cosmos. Each picture took about a month to complete. (Source: The Metropolitan Museum of Art)