In the autumn of 1866, Cézanne undertook a series of paintings of his maternal uncle, Dominique Aubert, in different costumes. Here, he dons a robe and tasseled blue cap. In another work in The Met’s collection, he poses as a monk (1993.400.1). A friend reported: "Every day there appears a [new] portrait of him." Cézanne applied his paint directly with a palette knife on t...
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