

2125
9
by
Paul Bond
Waiting for Camelot
2011
24 x 16 / Oil on Panel
Limited edition giclee prints available via www.paulbondart.com
The idea for this commissioned painting was inspired by Annie’s story about her son, James. An American living in England, James is married to PJ, another man who is not a US citizen. As gay marriage is not recognized by US Immigration, they cannot return here without his husband risking deportation. If he were married to a woman, it would not be an issue. The sand castle (which he loved making as a child) symbolizes the ideal world that would allow her James and PJ to return to his home country- one in which all unions of love will be treated equally and with the same reverence. A world that we are all waiting for and creating. And the bird gazing across the sea represents Annie longing for her son to return home.
Limited edition giclee prints available via www.paulbondart.com
The idea for this commissioned painting was inspired by Annie’s story about her son, James. An American living in England, James is married to PJ, another man who is not a US citizen. As gay marriage is not recognized by US Immigration, they cannot return here without his husband risking deportation. If he were married to a woman, it would not be an issue. The sand castle (which he loved making as a child) symbolizes the ideal world that would allow her James and PJ to return to his home country- one in which all unions of love will be treated equally and with the same reverence. A world that we are all waiting for and creating. And the bird gazing across the sea represents Annie longing for her son to return home.
- License:
- All rights reserved. Exhibited on USEUM with the permission of the rights owner.
- For more:
- http://www.paulbondart.com
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