The unusual round shape of this portrait suggests that Agate painted it specifically for its distinctive watchcase-style case. The case bears the mark of Wilmarth, Moffat and Curtis, jewelers and watchmakers who operated in New York City from 1830 to 1834. (Source: [url=https://www.metmuseum.org/art/collection/search/14399]The Metropolitan Museum of Art[/url])
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