King David, barely discernible atop the palace in the background, sees Bathsheba bathing and sends for her, despite the fact that she is married to his loyal soldier Uriah (Samuel 2:2–5). The king later arranges for Uriah to be killed in battle. The painting is one of a few dating from the 1640s in which Rembrandt revives his early, precisely descriptive manner in order to...
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