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The Our Lady’s Cathedral of Antwerp reconciles ‘being’ with ‘becoming’. For five centuries, its north tower, which points toward God like a finger, has dominated the silhouette of the city without changing. But during that same period, the Cathedral was repaired and refurnished repeatedly. It assembles the various styles of the times - gothic, renaissance, baroque, rococo, and so on - without ever taking on a definitive form.
The Cathedral harbors, for example, a marble statue of the madonna from the fourteenth century. Some of the wall paintings date from the fifteenth century. The stately devotional statue ‘Our Lady of Antwerp’ in the Mary chapel is Sixteenth century. The four baroque masterpieces by Rubens first saw the light of day in the beginning of the seventeenth century. A tabernacle in the form of the Ark of the Covenant, just like the large clock on the tower above, is eighteenth century. The neogothic decoration stems from the nineteenth century. The sculptures that decorate the main portal were added at the beginning of the twentieth century. And as recently as 1993, a Metzler organ was installed above the south entrance to the ambulatory. [source]