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The Annunciation  1435

by Stefano di Giovanni

The vase of lilies, prominently placed between the Angel Gabriel and the Virgin in this Annunciation scene, symbolizes both the Virgin’s purity as well as Christ’s Incarnation. The panel was originally part of the highly celebrated altarpiece that Sassetta, the renowned Sienese artist, painted between 1437 and 1444 for the Franciscan church of Borgo San Sepolcro in Arezzo....
Credit: 
Courtesy of The Metropolitan Museum of Art