

4324
16
by
Paul Signac
Notre-Dame-de-la-Garde (La Bonne-Mère), Marseilles
1906
After visiting Marseilles in late 1905, Signac proceeded to paint two canvases in his studio: one showing the entrance to the port and this view, facing the hill surmounted by Notre-Dame-de-la-Garde, the church nicknamed the "Good Mother" by seamen. Bright and boldly colored, the composition reflects Signac's contact with the artists Henri-Edmond Cross and Matisse at Saint-Tropez in the summer of 1904. The rectangular strokes of unmixed pigment, arranged like tesserae in a mosaic, are Signac’s variation on the innovative painting method pioneered by Seurat.
The Metropolitan Museum of Modern Art, New York
The Metropolitan Museum of Modern Art, New York
- Size:
- 88.9 x 116.2 cm
- Medium:
- Oil on canvas
- License:
- Courtesy of The Metropolitan Museum of Art
- For more:
- http://www.metmuseum.org/collection/the-collection-online/s…
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